Dear Editor by Bharti Bansal
“The pieces were considered trash by me because I believe they lack a certain voice. Voice which is firm and concrete and says exactly how I feel. These pieces have been rejected so many times and now I believe they don't belong anywhere except the notes in my phone. I think even though they can be crafted well, there will always be a certain lacking in how they come out in the world and speak for themselves. Editors was written because of the continuous rejections I have faced from literary magazines and how it has affected my sense of self esteem.”
Names and Nothing by Bharti Bansal
“The pieces attached below were considered trash by me because I believe they lack a certain voice. Voice which is firm and concrete and says exactly how I feel. These pieces have been rejected so many times and now I believe they don't belong anywhere except the notes in my phone. I think even though they can be crafted well, there will always be a certain lacking in how they come out in the world and speak for themselves. Names and nothing was written out of sheer desperation to be heard.”
The Reunion by Bryan Vale
“The story structure is odd, the expression of the theme is over-the-top, and the ending is too sentimental! That's what the editor in my brain says, anyway. I do like the setting and the setup, but I've explored similar settings and setups in other pieces, so I stopped coming back to "The Reunion" (ironically enough).”
A Postscript Of Us by A. Hasach
“I trashed this piece because it was based on a prompt that made me think too deeply and feel too much. This is an intimate reflection of a character that came from beyond me - a conversation between the present and past self, tender and inquisitive and warm and wrong - and I didn't feel comfortable putting this visceral note out into the world.”
A Million Vincents & C.diff by Christian Ward
“‘A Million Vincents’ was written earlier this year. I was inspired by the idea of seeing Vincent Van Gogh everywhere. I tried to get it published, but went nowhere and abandoned it. I'm not sure whether the problem was with the idea or the execution or the genre. Maybe I'll revisit the idea in fiction...or just leave it alone.
’C.diff’ was based on my experience catching C.diff in hospital last year, during a stem cell transplant for lymphoma. It was supposed to be a surreal take on it, and I really tried to push it. No takers. I don't know whether it was too out there for people. Anyhow, it ended up abandoned and unloved.”
Conversations with my better half by Lora Luquet
“‘Conversations with my better half’ began as a writing exercise in an advanced poetry class. I was interested in the concept of a poem written in the form of a conversation with a clear back-and-forth, but every time I tried to mess with the formatting of it, I hated it more and more. I submitted it for our in-class workshops, and sharing such intimate and personal work with my classmates made me recede into my shell just a little bit. I never touched it again until now.”
Random Melodies by Ali Ashhar
“I didn't give this piece a chance as I think the theme is hazy. When you are writing about life, it gives you endless dimensions to write on. However, I believe if you can define any one of aspects clearly, it does the trick. I felt that I poorly touched on this aspect. “
Let’s Watch The End of The World Through The Subway Windows by A.L. Davidson
“This piece encompasses everything that's painful and beautiful about the grind of sub calls and lit mags. It was written over the course of several days, with long sleepless nights, re-writes, edits, skipped meals and anxiety to get it done and tell the story as it was meant to be told, only for it to get shot down almost immediately. It's a lighthearted piece that became personally heavy due to the harsh whiplash of love and excitement turning into embarrassment and rejection. It became a reminder that my love for the craft, my characters, and my passion can be quickly gutted by a single "Unfortunately" that feels less authentic and more obligatory. And I want to reclaim it, despite its failure it's still beautiful and I want that pain to be replaced with kindness and pride, even if it's a bit undeserving.”
There is a Welcoming Void by Harley Claes
“It is very short form. Up for interpretation.”
The Hand Soap by Mariah Eppes
“I couldn’t figure out what this piece wanted to be. There wasn’t enough story for flash fiction, and it didn’t seem poetic enough for a poem. I tried changing the capitalization style, but that didn’t feel right. I liked the simple language and the brevity. I submitted the piece to a couple of places—one of which told me it made the final round—but ultimately was rejected. I decided the piece just didn’t ‘click’ and let it go.”
Peredur and the Dog-Heads by Oliver Fosten
“I wrote this piece for my Arthuriana class final. While I was and am proud of it, it's hard not to think of it as a piece of indulgent fanfiction, even if everything King Arthur is well in the public domain. There's also the quasi-furry stuff that can feel a bit cringe-inducing. As a result, I buried it away in my Google Drive after the semester ended. With my love for the source material as strong as ever, though, I believe this story deserves a place somewhere in the world.”
wanting is not a word by Kalliste Hardy
“This was one of my few very early attempts at poetry. It was also one of the very few moments in my life that I have written unbridled and unstructured. I wrote this piece two years ago, and did not hesitate to bin it straight after it was done. I couldn't read it without feeling scalding hot shame for the way my desperation manifested on the page. It is a poem about desire and unrequited wanting. Why was I expecting my desperation to not show? I loved it because it is mine. I loathed it because it was mine. I am thankful to have never emptied my laptop bin.”
My Blood by Sangeeta Fairweather
“I trashed this piece because I was told by a friend no one will want to read this. It sounds way too feminist and woke, and there are enough poems on the internet covering this issue. However, I wrote this poem because I was angry, when someone close to me suggested women should stop complaining about periods and menopause because we all have to go through it and that’s just the way it is. This poem was written out of pure rage and also to educate those disillusioned people, that we do not suffer the same way, we all struggle on many different levels, so please do not insist we should just put up with it. It is not a weakness, but a strength.”
Perry by Luanne Castle
“This was a love song to my favorite cat who has a bad heart and other health problems although he’s only seven. I didn’t set out to write a poem, just to show my love and grief in words. The piece might be trash, but Perry is a treasure.”
The Lanchester Heights Leader, October 2022 Issue by N.H. Van Der Haar
“The reason I trashed it was because my parents have recently moved to a more rural suburb and I was teasing about the eccentric suburb we had previously grown up in.”
The Atchafalaya Basin by Rhonda Bronte Brown
“This was written as a haiku, but I trashed it and started over. The haiku may have captured the essence of Louisiana's swampland but missed its vibrancy.”
Observations in a Crisis by Olivia Burgess
“This was a purely cathartic piece that I didn't deem good enough for publishing simply because of its rambling tendency and the function it served for myself - to put all of this insurmountable feeling onto a page.”
(comfortable silence) by Olivia Burgess
“I originally wrote this poem on a work shift, destined for the person to whom this poem is written for. This self-enforced notion of privacy meant I didn't want to submit this piece, to wave these feelings in the air so brazenly, but maybe, now realising, maybe I can.”
No Cardamom by Patrick Gray
“This particular story I started in 2018. The first person who read it when I finished it in 2019 said it was a bit like the film ‘Yesterday’ which was such a kick in the guts – firstly because it made it sound like I copied the idea and secondly I watched that film and it’s a hateful mess with ridiculously flawed logic.
The reason I’ve given up on this is similar to the reason I suppose I’ve given up on all my writing. I don’t think anybody is interested. At one point I tried to get an agent with the intention of securing a publishing deal. I have a folder full of rejection letters, underneath the sympathetic words of the two that showed some faith in me. One said my writing was great and she loved my idea for a novel, saying it was redolent of a charming Ealing comedy... but she wouldn’t be able to sell it. The other said I had talent but I didn’t have a profile already so they couldn’t take me on. I write because I must – it’s a compunction. I had convinced myself that I don’t care if nobody reads my work, it’s just for me... but I’m lying to myself really, I do want someone to read it.”
Wrapped in a Cloud by Oliver Kleyer
“An eyewitness account. I like the story and the “punchline” very much but feel the expression at times is rather cumbersome.”